postperspective.com Report : Visit Site


  • Ranking Alexa Global: # 449,768,Alexa Ranking in United States is # 209,416

    Server:Apache...

    The main IP address: 107.170.243.131,Your server United States,San Francisco ISP:Digital Ocean Inc.  TLD:com CountryCode:US

    The description :postperspective blog to bring post production professionals and technology providers together in a community of artists, studios, engineers and manufacturers...

    This report updates in 22-Oct-2018

Created Date:2013-07-01
Changed Date:2018-07-02

Technical data of the postperspective.com


Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host postperspective.com. Currently, hosted in United States and its service provider is Digital Ocean Inc. .

Latitude: 37.774929046631
Longitude: -122.41941833496
Country: United States (US)
City: San Francisco
Region: California
ISP: Digital Ocean Inc.

HTTP Header Analysis


HTTP Header information is a part of HTTP protocol that a user's browser sends to called Apache containing the details of what the browser wants and will accept back from the web server.

Content-Length:26984
Content-Encoding:gzip
Vary:Accept-Encoding
Keep-Alive:timeout=15, max=50
Server:Apache
Connection:Keep-Alive
Link:; rel="https://api.w.org/", ; rel=shortlink
Date:Mon, 22 Oct 2018 05:47:43 GMT
Content-Type:text/html; charset=UTF-8

DNS

soa:ns2.rb-com.com. rsa.postperspective.com. 2017122600 28800 7200 604800 300
txt:"v=spf1 include:rb-com.com include:infusionmail.com ~all"
ns:ns4.rb-com.com.
ns2.rb-com.com.
ns5.rb-com.com.
ipv4:IP:107.170.243.131
ASN:14061
OWNER:DIGITALOCEAN-ASN - DigitalOcean, LLC, US
Country:US
mx:MX preference = 10, mail exchanger = smtp.postperspective.com.

HtmlToText

sharing intelligence for the post production and production communities menu skip to content newsletters reviews videos ibc 2018 siggraph 2018 nab 2018 hpa tech retreat 2018 blackmagic design expo 2018 sundance 2018 siggraph 2017 video stories & tips archive ibc 2017 hpa tech retreat 2017 nab 2017 vrla 2017 ces 2017 adobe 2016 ibc 2016 siggraph 2016 nab 2016 vision summit 2016 vrla 2016 ces 2016 smpte 2015 adobe max 2015 ibc 2015 siggraph 2015 nab 2015 ibc 2014 nab 2014 projects / videos the a list toolbox techtoolbox: camera tech toolbox: color tech toolbox: storage tech toolbox: vfx tech toolbox: workstations tech toolbox: vr behind the title about about us contact us privacy policy privacy tools sign up search for: featured post tamara jenkins talks writing, directing the netflix film private life leave a reply by iain blair writer/director tamara jenkins has never been shy about mining her personal life for laughs and tears — or taking her time with a project. her debut feature film, 1998’s semi-autobiographical dark comedy slums of beverly hills , which she wrote and directed, was partly based on her own childhood growing up poor in the mega-wealthy city. continue reading → october 15, 2018 this entry was posted in cinematography , collaboration , director , oscar awards , the a list and tagged directing , kathryn hahn , netflix , paul giamatti , private life , tamara jenkins on october 15, 2018 by randi altman . report: sound for film & tv conference focuses on collaboration leave a reply by mel lambert the 5th annual sound for film & tv conference was once again held at sony pictures studios in culver city, in cooperation with motion picture sound editors and cinema audio society and mix magazine. the one-day event featured a keynote address from veteran sound designer scott gershin, together with a broad cross section of panel discussions on virtually all aspects of contemporary sound and post production. continue reading → october 18, 2018 this entry was posted in audio on october 18, 2018 by amy . hp offerings from adobe max 2018 leave a reply by brady betzel hp workstations have been a staple in the post community, especially for anyone not using a mac or the occasional diy/custom build from companies like puget systems or cyberpower pcs. the difference comes with customers who need workstation-level components and support. typically, a workstation is run through much tougher and stringent tests so the client can be assured of 24/7/365 up-time. continue reading → october 16, 2018 this entry was posted in workstations and tagged adobe max 2018 , brady betzel , computers , editing , hp workstations , post production on october 16, 2018 by randi altman . digital domain shanghai’s simon astbury talks color, projects leave a reply england-born simon astbury’s path to color grading wasn’t a straight one. he earned a degree in music and had vague ambitions about working in a&r. “i started working in this industry briefly in the early ‘90s and pretty much hated it,” he shares. one day, astbury went to sound sync and dialogue edit in a small facility in twickenham film studios where they had two mkiii rank cintel telecines. continue reading → october 16, 2018 this entry was posted in collaboration , color grading and tagged color grading , colorist , digital domain china , simon astbury on october 16, 2018 by randi altman . behind the title: sim re-recording mixer sue pelino leave a reply this audio post vet, who specializes in performance-based projects, is also an accomplished musician. name: sue pelino company: sim post new york can you describe your company? i work within sim post new york, a division of sim located in north tribeca. continue reading → october 16, 2018 this entry was posted in audio , audio mixing , behind the title and tagged audio re-recording mixer , sim post new york , sue pelino on october 16, 2018 by randi altman . quick chat: ai-based audio mastering leave a reply antoine rotondo is an audio engineer by trade who has been in the business for the past 17 years. throughout his career he’s worked in audio across music, film and broadcast, focusing on sound reproduction. after completing college studies in sound design, undergraduate studies in music and music technology, as well as graduate studies in sound recording at mcgill university in montreal, continue reading → october 15, 2018 this entry was posted in a.i. , audio , audio mixing , quick chat and tagged ai , antoine rotondo , audio mastering , landr.com on october 15, 2018 by randi altman . crazy rich asians editor myron kerstein leave a reply by amy leland when the buzz started in anticipation of the premiere of crazy rich asians , there was a lot of speculation about whether audiences would fill the theaters for the first all-asian cast in an american film since 1993’s joy luck club . or whether audiences wanted to see a romantic comedy, continue reading → october 11, 2018 this entry was posted in collaboration , editing , oscar awards , the a list and tagged avid media composer , crazy rich asians , editor , jon m. chu , myron kerstein on october 11, 2018 by randi altman . review: sonnet fusion pcie 1tb and g-drive mobile pro 500gb leave a reply by brady betzel there are a lot of external thunderbolt 3 ssd drives out in the wild these days, and they aren’t cheap. however, with a high price comes blazingly fast speeds. i was asked to review two very similar thunderbolt 3 external ssd drives, so why not pit them against each other? continue reading → october 10, 2018 this entry was posted in review , storage , thunderbolt and tagged g-technology g-drive , sonnet fusion , ssd , thunderbolt 3 on october 10, 2018 by randi altman . ai for m&e: should you take the leap? leave a reply by nick gold in hollywood, the promise of artificial intelligence is all the rage. who wouldn’t want a technology that adds the magic of ai to smarter computers for an instant solution to tedious, time-intensive problems? with artificial intelligence, anyone with abundant rich media assets can easily churn out more revenue or cut costs, continue reading → october 9, 2018 this entry was posted in a.i. , post production and tagged artificial intelligence , chesapeake systems , machine learning , nick gold on october 9, 2018 by randi altman . behind the title: pace pictures owner heath ryan leave a reply name: heath ryan company: pace pictures ( @pacepictures ) can you describe your company? we are a dailies-to-delivery post house, including audio mixing. what’s your job title? owner and editor. what does that entail? continue reading → october 9, 2018 this entry was posted in behind the title , editing , post production and tagged heath ryan , pace pictures , post production on october 9, 2018 by randi altman . post navigation ← older posts close news tweets newsletters reviews videos ibc 2018 siggraph 2018 nab 2018 hpa tech retreat 2018 blackmagic design expo 2018 sundance 2018 siggraph 2017 video stories & tips archive ibc 2017 hpa tech retreat 2017 nab 2017 vrla 2017 ces 2017 adobe 2016 ibc 2016 siggraph 2016 nab 2016 vision summit 2016 vrla 2016 ces 2016 smpte 2015 adobe max 2015 ibc 2015 siggraph 2015 nab 2015 ibc 2014 nab 2014 projects / videos the a list toolbox techtoolbox: camera tech toolbox: color tech toolbox: storage tech toolbox: vfx tech toolbox: workstations tech toolbox: vr behind the title about about us contact us privacy policy privacy tools sign up news adobe launches premiere rush cc for social video at the adobe max creativity conference, adobe introduced adobe premiere rush cc, the first all-in-one video editing app for social… read more… deluxe opens 4,000-square-foot color grading theater deluxe has opened a new color grading theater called stage one. it is equipped with a large stewart and realds… read more… symply offering stornext 6-powered thunderbolt 3 storage solution symply is at nab new york providing tech previews of its symplyworks

URL analysis for postperspective.com


https://postperspective.com/category/collaboration/
https://postperspective.com/tag/netflix/
https://postperspective.com/tag/pace-pictures/
https://postperspective.com/siggraph-2018/
https://postperspective.com/180619-2-2/
https://postperspective.com/tag/editor/
https://postperspective.com/tag/antoine-rotondo/
https://postperspective.com/category/color-grading/
https://postperspective.com/tag/jon-m-chu/
https://postperspective.com/videos/adobe-max-2015/
https://postperspective.com/tamara-jenkins-talks-writing-directing-netflix-film-private-life/#respond
https://postperspective.com/newsletter/
https://postperspective.com/category/behind-the-title-2/
https://postperspective.com/videos/nab-2014-videos/
https://postperspective.com/deluxe-opens-4000-square-foot-color-grading-theater/

Whois Information


Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: POSTPERSPECTIVE.COM
Registry Domain ID: 1812212494_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.register.com
Registrar URL: http://www.register.com
Updated Date: 2018-07-02T06:59:59Z
Creation Date: 2013-07-01T19:12:38Z
Registry Expiry Date: 2019-07-01T19:12:38Z
Registrar: Register.com, Inc.
Registrar IANA ID: 9
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8003337680
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.RB-COM.COM
Name Server: NS2.RB-COM.COM
Name Server: NS4.RB-COM.COM
Name Server: NS5.RB-COM.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-01-30T15:57:45Z <<<

For more information on Whois status codes, please visit https://icann.org/epp

NOTICE: The expiration date displayed in this record is the date the
registrar's sponsorship of the domain name registration in the registry is
currently set to expire. This date does not necessarily reflect the expiration
date of the domain name registrant's agreement with the sponsoring
registrar. Users may consult the sponsoring registrar's Whois database to
view the registrar's reported date of expiration for this registration.

TERMS OF USE: You are not authorized to access or query our Whois
database through the use of electronic processes that are high-volume and
automated except as reasonably necessary to register domain names or
modify existing registrations; the Data in VeriSign Global Registry
Services' ("VeriSign") Whois database is provided by VeriSign for
information purposes only, and to assist persons in obtaining information
about or related to a domain name registration record. VeriSign does not
guarantee its accuracy. By submitting a Whois query, you agree to abide
by the following terms of use: You agree that you may use this Data only
for lawful purposes and that under no circumstances will you use this Data
to: (1) allow, enable, or otherwise support the transmission of mass
unsolicited, commercial advertising or solicitations via e-mail, telephone,
or facsimile; or (2) enable high volume, automated, electronic processes
that apply to VeriSign (or its computer systems). The compilation,
repackaging, dissemination or other use of this Data is expressly
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use electronic processes that are automated and high-volume to access or
query the Whois database except as reasonably necessary to register
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to restrict your access to the Whois database in its sole discretion to ensure
operational stability. VeriSign may restrict or terminate your access to the
Whois database for failure to abide by these terms of use. VeriSign
reserves the right to modify these terms at any time.

The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars.

  REGISTRAR Register.com, Inc.

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =postperspective.com

  PORT 43

  TYPE domain

DOMAIN

  NAME postperspective.com

  CHANGED 2018-07-02

  CREATED 2013-07-01

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.RB-COM.COM 138.197.213.218

  NS2.RB-COM.COM 138.197.213.218

  NS4.RB-COM.COM 198.0.235.49

  NS5.RB-COM.COM 138.197.198.18

  REGISTERED yes

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