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Technical data of the phawker.com

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phawker you report, we decide news, media, politics, music, culture, gossip, in the 215 and the great beyond follow us twitter rss search how to use phawker letter from the editor contact us: phawker66@gmail editor-in-chief jonathan valania contributors jeff deeney matt shaver dan tabor william c. henry kyle weinstein mariah hall dylan long bill hangley jr. dillon alexander alex fine dan long keely mcaveney josh pelta-heller richard suplee tony caro brian g. howard sophie burkholder henry savage "let all the children boo-gie." -- david bowie subscribe to our mailing list author a little something about you, the author. nothing lengthy, just an overview. -- manic pixie dream girl: q&a w/ caroline rose november 15th, 2018 by keely mcaveney caroline rose, a paragon of pop-done-right, is capable of anything, whether that be fitting a pack and a half’s worth of marlboro reds in her mouth or writing, instrumentalizing and producing an entire album. her most recent album, loner , serves as a red tracksuit-clad reinvention of herself. she sheds her formerly folksy sound for the upbeat wonk of experimental pop. each song functions like a vignette, building stories and characters that satirize everything from catcalling to capitalism. we had the privilege of talking with caroline rose herself about the difficulties that accompany artistic evolution, the color red, and humor as a means of not going fucking crazy. you won’t want to miss her in all her manic pixie nightmarish glory this friday at underground arts. phawker: do you feel like the sounds in the next album are going to evolve as much as the sounds have from your first one to loner ? caroline rose: oh yeah, the reason i want to get the next record out as soon as possible is so that people stop asking me about the first one, laughs. if it was up to me, i would take it down completely just because it doesn’t make sense with the new material, and also i should something that a lot of people don’t realize is that the time span between the two was five years. that’s a lot between my early twenties and now. i think that is a significant amount of time when you’re in your 20s, and if all the material had come out in that time span it would have bridged the gap between the two, but unfortunately – or fortunately – it didn’t come out like that, so it does feel like a really stark contrast, but i can say with certainty i feel entirely more comfortable, and it’s taken me some time to really hone in what i want to say and how i want to do it, but i feel complete confidence in what i’m doing now. the next albums going to be kind of a stepping stone, kind of like a sequel to this one. phawker: is it going to be as fun, and— you do a lot of balancing between really earnest stuff and a lot of satire, and just like really funny stuff. is it similar in that sense, and very narrative driven like you’ve done before? caroline rose: yeah, yeah. i try not to be too earnest. i don’t like that at all. this album is mostly satire. i think there’s a line to be drawn about being funny in your art but being a joke, and i’m very aware of that boundary, and i think that’s something that i’ve already been aware of it, and i know not to cross it. i think for the next album it is going to be narrative driven, but i’m going to be moving further away from anything that could be mistaken as a joke. phawker: what’s the best example of anything that you’ve had really be misconstrued in one of your songs? caroline rose: actually people have really gotten it. i’ve been amazed by how much people have really understood what i’ve been trying to do and caught on right away to all the satire, and the humor in it, and all the seriousness. i haven’t had any big errors in that way which has been so nice. the biggest nuisance of anything is people coming up to me after shows or sending me comments who aren’t reviewers. they’re just listeners critiquing my work in a way where i’m like you’ve gotten this completely wrong. phawker: that’s weird, very assertive. caroline rose: oh, people are remarkably assertive in giving artists constructive – or unconstructive – feedback. unsolicited feedback. people do it all the time. all the time. phawker: what’s the worst one you’ve ever gotten? caroline rose: oh well, it’s mostly men, but there are a lot of women who just really think that they understand what we’re going for, and think that i’m completely wrong. one time a woman sent me a message and said that i should take myself more seriously, and that i should be more funny and sexy – she said that. she said you should take yourself more seriously. i love your work, and i think that you’re letting yourself down. you should be smart and sexy and she said something else, and i was like, you couldn’t have gotten what i was trying to do more wrong. you couldn’t have gotten it any wronger, any more wrong than what you’ve just done. so yeah, there are people who really misconstrue what i’m trying to do, but luckily reviewers, anyone who is in the media at all has really nailed it. nine times out of ten, people really get it. i get feedback about our show all the time, like, oh, you know, i wish i could have seen more of this. i wish i could have seen more of your old stuff. i really like our old stuff better. people say stuff like that all the time, and i’m like, oh my god… phawker: do you play any of your old stuff, or do you really stray away from it, because you feel like it’s not a representation of who you are anymore? caroline rose: well, you know, my job right now is touring this album, so when i think, like, if i was, you know, doing a greatest hits tour or something it would be a little different. it doesn’t quite make sense. it would be the same type of thing if tom waits were to come out and be playing a bunch of his old stuff and mixed in with his material from the last 30 years. it doesn’t make a whole lot of sense, unless people are really familiar with it, and i’m still in the very beginning of my career. it doesn’t make sense to anyone who’s only heard the new material, but it’s not to say that i’m throwing that out forever. that’s definitely not the case. i’m still in the stage where i’m laying the foundation of my aesthetic and my music and my art, and i just don’t think it’s necessary right now to confuse anyone. phawker: yeah. with that in mind — with the foundation of image thing — are you driving for one specific image to have, or one character that you embody, and is it you or is it more of a character, because a lot of music videos and of the songs it feels like a different character? caroline rose: yeah, i think the way that i like creating is a lot like the way that a movie is made. i like narrative driven material. i tend to lean towards narrative driven songs and albums the way i want to make my albums. it’s more entertaining. i do think that our lives, the way that we live, are a lot alike in that each day can be something different. it can be a completely different story, and i write about that all the time, because sometimes, especially, you know, the songs that i’ve made music videos for are made to be very cinematic, and be little vignettes of my life, so i’d say all these characters are versions of myself that i inject on steroids. obviously when i’m playing characters like i do in “bikini,” and stuff like that, i find it funnier when i’m playing the character, because the album’s called, loner . i’m making it all up in my head, and it’s the way that i feel with more serious issues in my life. i think my use of humor in everyday life helps me cope with really serious things that give me anxiety or stress me out. using humor is such an amazing tool in not going fucking crazy. in that same vein it’s the reason why many comedians are fucking depressed, and a lot of artists are really depressed, and a lot of people are really depressed, but especially people who feel a lot, and my whole life i’ve always used humor as a way of copi

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: PHAWKER.COM
Registry Domain ID: 575430098_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.ionos.com
Registrar URL: http://www.ionos.com
Updated Date: 2018-09-01T07:33:15Z
Creation Date: 2006-08-31T19:58:02Z
Registry Expiry Date: 2019-08-31T19:58:02Z
Registrar: 1&1 IONOS SE
Registrar IANA ID: 83
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.6105601459
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-08-12T11:58:08Z <<<

For more information on Whois status codes, please visit https://icann.org/epp

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currently set to expire. This date does not necessarily reflect the expiration
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registrar. Users may consult the sponsoring registrar's Whois database to
view the registrar's reported date of expiration for this registration.

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The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars.

  REGISTRAR 1&1 IONOS SE

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =phawker.com

  PORT 43

  TYPE domain

DOMAIN

  NAME phawker.com

  CHANGED 2018-09-01

  CREATED 2006-08-31

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.DREAMHOST.COM 64.90.62.230

  NS2.DREAMHOST.COM 208.97.182.10

  NS3.DREAMHOST.COM 66.33.205.230

  REGISTERED yes

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